Happy Victims enveloppe A similar mood overflows Pixton’s

A similar mood overflows Pixton’s past evocations and Herrera’s renewed images

le désir humain d'objectivité et la nature insaisissable de la "vérité"

‘Échale agua al arroz’ reflects the beauty of everyday life and humanity

basée principalement entre deux points géographiques distincts : la Californie du Sud et Tulsa

Miranda July

Happy Victims enveloppe A similar mood overflows Pixton’sBetween 1999 and 2006, before fast fashion and social media changed the world forever, Kyoichi Tsuzuki published 87 instalments of his Happy Victims series in the fashion magazine Ryuko Tsushin. In cramped quarters across Tokyo, these anonymous disciples joyously detailed the ritual and the sacrifice of their brand name obsessions. A Buddhist monk with a Comme des Garons shopping habit, an Alexander McQueen collector listening to neighbours through